Poem: ‘In Conversation with Elizabeth Fulhame’

Poem: ‘In Conversation with Elizabeth Fulhame’

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Science in meter and verse

Illustration of a woman in a long dress near various chemical beakers.

Edited by Dava Sobel

She has a map unfold at her ft, a lit carpet of gold towns
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and silver rivers, each and every tributary wire-drawn with the idea
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of a squirrel’s tail. Everything is pretty moist.

It looks like a dream, even in the aspiration. Saucers of silk
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line the sills like a grand banquet for apparel moths.
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The spherical desk (pocked with scorch marks) throngs

with china cups of phosphorus in ether, tin dissolved
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in muriatic acid, white oxide of arsenic in—
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She tongs sugar lumps, pours the pot. Rainbow bull’s-eyes

float in our cups like latte ferns. The ceiling drips.
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On the examining stand, a nicely-thumbed book on phlogiston
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is flapping its mildewed wings. The space is strewn

with glittering retorts, cylinders, phials. She would like to know
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her title simply because, for so lengthy, she’s been vanishing
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by degrees. “The info of me escape me,” she claims.

She lifts the lantern of Dr. Nooth’s machine. Iron nails
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and diluted sulfuric acid at glass base. In the middle,
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a ghostly snip of direct-dipped silk dangles over water.

Spangled silver by spindrift, it truly is the sail of an invisible craft.
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There is certainly a puff of white smoke, a under no circumstances-ending string
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of silk swatches from her sleeve. A small goes a lengthy way

and this display may just go until dawn. Now the clouds
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are lifting, the wallpaper is rolling again in waves.
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It is a lot less drawing place, far more Marie Antoinette’s bed room.

In the golden aquatic, our chairs, napkins and dresses blaze
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ablaze with shiny, shiny. She suggests it generally consumes her
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with marvel, but her ponder is hardly ever eaten.

I imagined in the beginning,
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that a handful of experiments
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would figure out the problem

they develop sullen and silent,
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and are chilled with horror
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at the sight of any issue

that bears the semblance
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of finding out, in no matter what shape
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it may possibly show up and should really

the specter show up in the condition
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of woman, the pangs which
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they undergo are really dismal

Combustible bodies, as
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hydrogen, phosphorus,
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sulfur, charcoal, light, &c.

are able of cutting down
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the metals in the standard
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temperature of the ambiance

so that a thimble entire
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of drinking water would be adequate
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to cut down any amount of metallic

for this small bark of mine
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has weathered out comprehensive
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many a storm

recurring situations unnumbered
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so vivid and dazzling
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as to distress the eye

Editor’s Notice: In the 18th century chemist Elizabeth Fulhame described the procedures that later on turned recognized as catalysis and photoreduction. Extracts in italics are from her 1794 operate: “An Essay on Combustion with a View to a New Art of Dying and Portray, Wherein the Phlogistic and Antiphlogistic Hypotheses are Proved Faulty.” This essay was reprinted in 1810 in Philadelphia. It truly is not identified where or when she was born. In accordance to a notice by Charles Watt, Fulhame “died in abject poverty in a suggest apartment in the vicinity of Soho Square.”

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